Oscar Talk 2012: The DGA Awards are important (in case you didn’t know)

DGA-2013a

We all want to be able to correctly predict what film is going to win Best Picture. It’s something you can wildly debate about with your friends for countless hours, and then have the bragging rights if you select the winner. There are even Vegas odds and bets placed on the prestigious night. But while I’ve been in the game of Oscar watching for almost a decade now, there is still only one thing that I know: your guess is as good as mine.

I guess it’s kind of funny for me to admit that, but year after year that is what I keep saying. I’ll give my predictions and my reasons for believing in certain movies and certain upsets, but the truth is that your guess is as good as mine and as good as anyone else’s. If I somehow correctly predict 23 out of the 24 awards given out, I’ll be the first one to tell you that it was luck. Why do I keep doing it? Because it’s so much freakin’ fun.

So back to the game, this past weekend revealed that Argo seems to be back as the front-runner for Best Picture. Winning the PGA and the SAG awards is a pretty big deal. Am I ready to call it for Argo yet? No. It still has the HUGE obstacle of winning without a Best Director nod for Affleck, but if it wins this Saturday at the DGA awards and then gets the WGA, well it’ll practically be a lock then for Argo.

But just because it won the PGA and SAG doesn’t mean it’s a lock quite yet. In 1995, there was a crowd-pleasing film about an American event that went down this same path. Apollo 13 won the PGA, SAG, and even the DGA for Ron Howard (and also Howard didn’t get a Best Director nomination). It was expected for Apollo 13 to take the Oscars, but Braveheart swooped in with the upsets winning Best Picture (and Best Director for Mel Gibson, even though Howard wasn’t nominated).

Needless to say, this is a very strange road to the Oscars that we’ve been on thus far. You know what would really throw a wrench in the whole thing? If Ben Affleck or Steven Spielberg DOESN’T win the DGA. Imagine that? Because whoever wins the DGA out of those two will easily become the front-runner going into the Oscars. But let’s say… Ang Lee wins the DGA (which he’s won twice already). That would really throw a curve-ball at everyone, but at the same time it would hurt Spielberg and Lincoln more than anything else.

ben-affleck-argo      spielberg-lincoln

Okay… so where do we stand? Silver Linings Playbook has NO chance at Best Picture since it lost the SAG where it was expected to win. And unless Ang Lee can win the DGA, you can count Life of Pi completely out as well. As for Amour and Beasts of the Southern Wild, well they’re just happy to be there. So it’s Lincoln vs. Argo down the stretch of the last month before the Oscars air.

Here’s a little bit of history, something like what we’ll be referring back to in the future if Argo wins Best Picture. Driving Miss Daisy is the only film to win Best Picture without a directing nod in 80 years and many people are comparing it to Argo. Born on the Fourth of July was a film that looked like was on its way to a Best Picture win. Here are the accolades for both films leading up to the Oscars:

Driving Miss Daisy
– won PGA
– won Golden Globes Comedy/Musical
– won WGA

Born on the Fourth of July
– won DGA
– won Best Director
– won Golden Globes Director and Drama

Though tradition was on Born of the Fourth of July’s side, Driving Miss Daisy made history with its Best Picture victory. Only once in the last 10 years has the Best Picture winner not matched the Best Director (Crash beating out Brokeback Mountain). So like I said earlier, there is a very good chance that history will be made… that is unless Spielberg wins the DGA and Lincoln sweeps at the Oscars. If that’s the case, we can all just have a good laugh.

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